Corvidism

dimespin:

modmad:

isnarniainyournose:

stalebis:

green-evening:

lettherebecramp:

acolderwar:

warumkannsnichtperfektsein:

(and i’m only going way back in my ethnicity because this one is true)

welp

hahahahaha ohhhhhhhhhhhhhhhhh welp

idk yall sorry

what

/crying with laughter at all of these oh my god

what

dimespin:

modmad:

isnarniainyournose:

thatdapperfuck:

endling:

mikikoponczeck:

Katamariiiiii! :D (or should I say, kata-miki! AFUFUFU )

You know, the hardest part is working in the lipstick through the beard.

Played that ‘soundless mountain’ the 8 bit silent hill2 game.

Oh I am so okay with this.

Sir yes sir!

Mass Effect 1.

(Source: zeekayart)

Recently in our morphology class, we were learning about the way muscles work and our techer pointed out a basic rule that made me imediatelly think of Escher Girls and how often the poses in comic art look static, more posing than moving.

Basically, the muscle has only two ways of movement: isotonic and isometric. If you do it wrong, the pose will get that “something’s not right here” vibe - either it will be static (bulky muscles when the character should be moving), or weightless (when there is no bulk in the muscles when it should be - when the body is propped up on the arms, or trying to move a heavy object).

(A collaged cover of a writing notebook.) I haven’t done something like this for ages! So much fun. It looks like work of an angsty teenager and I’m cool with that. I like that feeling, when you stop worrying whether what you’re doing is “arty” enough and just make something pretty.

(as for April challenge, I did something yesterday, but I’m just too lazy to scan it right now - I’ll try to get something done for today too and I’ll post it tomorrow.)

Drawn last night on my cellphone. This touchscreen doodling is becoming my favourite way of killing time.

Drawing from an inkblot (courtesy od Inkblot of the Day). Very refreshing.